Selected Drama & Romance Works

Internationally recognized screenwriter whose work has been selected and awarded in global screenplay competitions.

Three Dates to Love

In families like mine, love isn’t chosen. It’s approved…or removed

Format

Short Film Screenplay.

Genre

Romance/Drama

Logline

Hired to be a billionaire’s perfect date for three carefully scripted appearances, a woman becomes the greatest threat to his family legacy when love turns real and his mother decides only one of them can survive the spotlight.

Description

Hired to be a billionaire’s perfect date for three carefully staged appearances, a woman finds herself pulled into a world where love is not part of the plan. As their chemistry turns real, she becomes a threat to a powerful family’s legacy, forcing him to choose between the life he was born into and the love he never expected.

Inspiration

This story was inspired by a question that lives at the center of every powerful family: what happens when love interferes with legacy?

In dynasties, love is rarely just love. It is evaluated, negotiated, and often weaponized. Every relationship is measured against what it protects or what it risks. Who you love is never just personal. It is political. It is inheritance. It is control.

I was drawn to the quiet tension that exists when something genuine enters a space built on performance. A world where appearances are curated, relationships are strategic, and the future has already been decided long before the heart has a chance to speak. In that kind of world, real love is not romantic. It is disruptive.

This film explores what families do when that disruption threatens everything they have built. Not through loud violence, but through subtle control. Manipulation. Pressure. Isolation. The quiet rewriting of truth. The kind of power that does not need to shout because it has always been obeyed.

At its core, this is not just a love story. It is a story about possession. About legacy versus identity. About what is sacrificed to maintain an image and what it costs to choose something real in a world that was never designed to allow it.

Because in some families, love is not something you fall into. It is something you survive.

Project Status

Quarter-Finalist

Stage 32 + DramaBox Screenwriting Competition

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